Connecting with community through music and dance.  

This month we visited with 18-year-old Neveah Killsnight, an enrolled member of the Northern Cheyenne Tribe. Neveah is heading into her first year of college at the University of Montana, a celebrated violist, and the Summer 2023 Intern at Western Native Voice. 

Tell us a little about yourself. 

I was born in Bozeman, and my mom was graduating then. She graduated two days before I was born. So I lived in Bozeman for two years, and I don’t remember any of it because I was so young. But then, we moved to Albuquerque, New Mexico, and I lived there until I was ten. Growing up, I loved the food and the culture, but New Mexico was really hot. And then that’s when my mom decided she wanted us to be connected to our culture and know where we come from. That’s when we moved back up to Montana, and we lived in Busby for a little bit with my grandpa for two years. And that’s when I started to jingle dress dance again and learn about my family and everything. I went to St. Labre for two years, and then we moved up to Billings. That was a culture shock because it wasn’t as diverse. I went from being in a classroom of Natives to just me being the only one. That was hard to get used to. Being different isn’t a bad thing.

How was the experience of being the only Native in your class when you moved to Billings? Do you feel like it shaped you in any way?

People didn’t understand why I was quiet or the way my family was or stuff like that. I was different from other people. And because I was in the minority, it felt like nobody really understood me. But as I grew older, I understood that’s just who I am, and I got used to being different. 

Neveah celebrating graduation with her family.

What made you want to apply as an intern at Western Native Voice?

I wanted to challenge myself and get out of my comfort zone, especially before college. I felt like it would be a good way to prepare. And also, I like the work that Western Native Voice does within the tribal communities.  

What’s the most interesting part of being an intern at Western Native Voice?

I’ve learned about many issues in my community that I didn’t know were problems, like the census and voting. I didn’t know about that until now and didn’t realize how huge those were. 

Neveah in her role as an intern at Western Native Voice.

How did your journey into music and playing the viola begin?

I’ve been playing the viola for eight years now. At first, I wanted to quit, but my mom wouldn’t let me. So I didn’t. I’m actually really grateful she said she didn’t let me stop because I’ve traveled a lot because of the viola. I also met a lot of my friends through orchestra, and I love playing music. It’s the main way I make connections with other people. Music can bring people together. When I play music for people in my community, I can bring people together. 

How did you come to choose the viola and what did that journey look like for you?

The violin is too high. It hurts my ears, and everyone plays the violin. Nobody knows the viola, so I decided to play it. 

I didn’t have lessons when I first learned how to play the viola. For the first three years, I watched YouTube videos and taught myself. I made a lot of progress, which was surprising because it was hard. I also learned how to play the violin and a little bit of the cello. For a lot of families, it’s different. It usually runs in their family if they want to make a career, especially in classical music. Most people start early, when they’re four years old. I got a late start compared to other people trying to make a career out of it. I didn’t get private lessons until eighth grade and made even more progress. But yeah, it all started with YouTube videos. 

Neveah performing viola.

What does the future look like for you and your music?

I’m starting at the University of Montana in Fall 2023 and will study music performance. 

I want to play in different symphonies, ensembles, and gigs. And I want to look more into composition because there aren’t many Indigenous composers, artists, or musicians in classical music. I met another Indigenous violist this month, but that was my first time playing with another native in a professional orchestra. When we were talking, she said she only knows of three violists who are native. 

How does your culture and community impact the way you play or how you want to play in the future? 

My culture and community definitely impact the way that I carry myself. 

I represent my whole community while playing in an orchestra, so I have to carry myself well and represent well. 

As far as what I play in the future, in classical music, most of the music you learn is 200 years old and written mostly by white men. I know that many new composers are coming out these days from underrepresented communities, and I want to learn and study that kind of music more.

Neveah performing in the Fancy Shawl Category.

Talk about an experience (good or bad) in your life that was challenging.

I used to dance a lot when I was little and was really into it. But then, when the powwows stopped during Covid, I stopped for a while and got busy with school. I just started dancing again this year, and it’s a lot more challenging than I remember. I used to do Jingle, but now I started doing Fancy, and that’s probably why because Fancy’s like a workout. It’s also hard to put yourself out there when you’re learning and have everyone watch you, but also it’s really fun.

Why do you like to dance?

It’s not just about dancing. It’s also about the powwows. My family is there, and it helps me reconnect. It’s a nice little break from when I’m always in Billings. It’s nice to go back home and see people and dance. 

What advice would you give to another Native woman around your age wanting to pursue music, an internship, etc.? 

I’m working on getting out of my comfort zone right now. It’s weird but also good for you. Being super uncomfortable can be a good learning opportunity. Don’t be afraid of making mistakes because that’s part of learning. I’m a perfectionist, so I have a hard time making mistakes. It’s okay to make mistakes, and I’m learning that. 

Neveah getting ready to perform with her fellow violists and friends.

Change Takes Courage. Introducing Northern Cheyenne’s Youngest Council Representative

Western Native Voice works year-round to inspire Native leadership so our communities flourish. We are excited to share with you Western Native Voice’s Community Spotlight, designed to highlight grassroots organizing and individuals creating change from across Montana and in Indian Country.

This month we would like to introduce Silver Little Eagle, 23, Northern Cheyenne’s youngest councilwoman. She is the 7th generation of Little Wolf and Woodenleg and a descendant of Humpback Woman and Little Eagle. Silver was raised by her grandmother, Adeline Fox, who also served on council for 12 years. After graduating from high school, Silver went to Dartmouth College on a Gates scholarship. Here is her story in her own words:

“We are vessels of knowledge, language, resilience, and our ancestors’ blood. I am a 7th generation of Little Wolf and Woodenleg. A descendant of Humpback Woman, Little Eagle, and many strong Cheyenne women. As a 7th generation, it is my duty to carry on our bloodline in a good way and end toxic cycles. This is why I am running for the Lame Deer District Seat. Vote November 3rd, 2020.”

Tell us about your college experience.

I felt that my spirit didn’t want to be there. I felt I wasn’t meant for western education. It took me a long time to accept that. Teachings and classmates….let the bad overpower the good. I felt really poor compared to other Native that were there. There is a class system within the Natives. My family was struggling at home and I had a lot of guilt. I came to believe that ancestral knowledge had more power than institutional knowledge. This belief helped me with my journey.

How did you pick yourself up when you left school? 

My family was supportive when I left. I had a friend and boyfriend pass away during that. It was hard to get over my guilt of not going back to school. I went firefighting and it was very healing being on the land.

Would you mind sharing with us what your experience was in running for office? 

I was the Activities Coordinator for a year. Spending time with elders all day really helped shape my values and morals. Elders have a medicine that radiates off of them. It affects you. I really support that, and I am a whole new person after hanging out with them. I learned Cheyenne values.

What inspired you to run for office?

All the usual people filed, and the same people were running. I was waiting for somebody to run and trying to encourage them to run. I just went for it as a write-in candidate. I was nervous. I respected the older people that were running and they are all men who we have respect for. I didn’t have a campaign and decided to run a week before. I sent out flyers in the mail locally. On a day of election I had a little drive through. I had the most votes and it was unbelievable. I thought, if I don’t get in at least I tried. 125 people believed in me. My family took me seriously. Grandma helped guide me through the next election. I had to face a lot of comments like she is too young, not experienced. I was told that people are ready for young people and that is why they voted for me.

Why is it important for young people to get involved?

We face different challenges. We have a voice for youth issues. I work with kids such as Boys and Girls Club. I see their challenges. They have suggestions and have solutions that are overseen. With a young person we have different priorities such as having healthy outlets and environmental issues. If I can do it, that shows them they can also run for office.

On average, women are asked at least nine times before they make a solid commitment to running. Why do you think that is? 

We are not taken seriously. We change our minds alot. Males were dominant prior to the last election and many were expecting males for these positions. Males are more confident, but now I can feel thoughtfulness and compassion in the meetings. I wonder how different it would be to have even one maie in this chamber. Cheyenne are patriarchal traditionally. True Cheyenne men hold women up high in value and care. We have to be in balance with each other.

Having been through an election, what did you learn? 

Providing drive thru meals, social media, mailed flyers really helped with the election. We reached out to elders and younger people. It was pretty cool to see my name on other people’s social media. It felt good to have an elder come up to me and say, “Hey, I am going to vote for you”.

“I am asking you, the people to believe in me. We – the youth, the elders, the people have been burned and discarded by so many generations of councils. Campaigns of broken promises and excuses. If you do not believe in me, it’s fine. Because how can you win over someone’s trust after trust has been violated by cycles and cycles of toxic masculinity and tribal government excuses? 

“If you choose to believe in my leadership, I will show up. I am showing up and will continue to show up for the community elected or not. Those who know me – know me to be an underground worker. Somebody who shows up not for the clout, not for the cameras – but for the well-being of others. I show up because I love our community. I love our language. I love our stories. I love our legacy.”

Who was your inspiration growing up and/or role model? 

My grandma, Adaline Fox. She raised my brother and me. She is assertive and stern. She is someone I want to be. Right now I am soft spoken. Dezi Rodriguez who is a Cheyenne who went to LaBrea and who graduated at Stanford. She is active in Data Collection. Merca Spang who as a little girl, I saw pictures of her at my school. She went to Dartmouth.

What would you tell others who want to run for office? 

Just do it. My Auntie told me the story of Buffalo Calf Robe Woman. Do you think she waited too long to save her brother? She just did it. That is what really calmed me down when I was running for office. My journey is exactly where I am meant to be.

What would you want the outside world to know about the communities that you consider home? 

In Lame Deer, we are close knit and we know each other. Our lives are valuable. We are passionate and we are trying to be leaders that care as a collective, that care for everyone not just certain ones. Even the people that walk around all day have values and dreams that matter. My goal is to help them remember who they are…Cheyenne. We have our own spirit and values. That’s who makes us who we are by going back to those values. This current leadership will help us with these goals.

Do you see yourself running for higher offices in the future?

I want to focus more on ground movements that shake the earth. Oak Flat, Standing Rock, all these movements were started from grounds work people.

What is one change you would want to see in your community within the next five years?

I would like to see more community connections such as gardens, community halls, helping each other out. More renewable energy as we are facing challenges with electric companies. I have a vision of solar panels going up in my lifetime.

Father/Child Highlight MMIWG & MMIP Movements with Art Project

Western Native Voice works year-round to inspire Native leadership so our communities flourish. We are excited to share with you Western Native Voice’s Community Spotlight, designed to highlight grassroots organizing and individuals creating change from across Montana and in Indian Country.

This month we would like to introduce artists Major Robinson and his 17-year-old child, Kyra Robinson, both enrolled members of the Northern Cheyenne Nation. Kyra will be a senior in high school and is a part of the LGBTQ+ community. Kyra’s pronouns are they/them. Major and his wife Michelle own Sage & Oats Trading Post in Helena Montana.

Tell us about your project.

Kyra and I worked on a special father/child sticker art project highlighting the MMIWG (Missing & Murdered Indigenous Woman & Girls) and MMIP (Two-Spirit) movements.

Sage & Oats Trading Post offers American Indian and Montana immigrant artisan products and gifts. Kyra and I worked on a special father/child sticker art project highlighting the MMIWG (Missing & Murdered Indigenous Woman & Girls) and MMIP (Two-Spirit) movements. We are selling the stickers and candles at Sage & Oats to raise awareness for the MMIWG and MMIP movements. A portion of the profits of each candle sold will go towards the work Western Native Voice is doing to illuminate the importance of these Indigenous issues in Indian Country.

How did you get started with your career, and was there a specific event that prompted you to take action?

Growing up on my reservation in Montana, I used art to express my feelings. Now I get to make a living through creating art. I worked for many years designing theme park sets and rides for companies like Disneyland and Universal Studios. My wife and I wanted to promote careers in the arts, and so we opened Sage & Oats. After creating our shop, Kyra became active in creating art and displays for the business. It has helped them to learn what it is like to have a job where they can use their artistic skills.

What opportunities do you have for youth who want to get started in the business?

In the past, we have hired young staff members to help with the store and encouraged them to create their art to sell. We are not hiring right now, but we continue to encourage artists of all ages to discover what they enjoy creating. We speak to them about ways to get their art produced for the public to see, appreciate, and purchase. At Sage & Oats, we also use our designs to produce stickers, t-shirts, and other products.

In what ways are you involved or give back to your community?

One way we give back to our community is by featuring the art of Native artists from the reservations in Montana in our store and website at www.sageandoats.com. This allows them to get their art to a larger market while being able to stay with and provide for their families on the reservation. We also have special products we sell and give a portion of those profits to various community organizations. We also have made direct donations to organizations such as the Last Chance Pow-Wow committee and various non-profit organizations.

In addition, Kyra uses art to raise awareness about issues in their communities that aren’t typically discussed (both Native communities and the LGBTQ+ community), while also showing the world there are things to celebrate in each community.  Sometimes people outside of these communities focus so much on the negative, and we want to show them we are more than the challenges we face.

How did you handle any adversity or doubt?

There are a few lessons we have learned to help us deal with adversity or doubt. Always look at challenges as opportunities to try something new. If it didn’t work, one way doesn’t mean it won’t work another way.  Don’t be too proud to ask for help. Any successful person had a bunch of people that helped them get where they are. Ask for help when you need it. We have so many family members and friends who have helped us get where we are today.

Kyra experienced adversity because of the color of their skin. Ironically, as a light-skinned Indigenous person, they were told they don’t “look Native.” Kyra realized there isn’t one way to “look Native,” and regardless of appearance, they know who they are and where they come from. At a young age, Kyra had doubts about their artistic abilities. In fifth grade, Kyra compared themself to a friend who was amazing at art and felt like their art was not good enough. When Kyra told their mom, she said Kyra should not compare their art to their friend’s work. That moment helped Kyra to realize they could both be artists, and if Kyra wanted to improve their work, they had to keep creating art.

What support systems did you have to help you get started?

Kyra and I both believe our main support system is our family.  This includes our biological family as well as our chosen family, such as our Cheyenne adopted family members (like Grandpa Richard Tallbull).  Kyra was always encouraged to pursue art, even as a potential career.  We also have very close friends who we have shared our personal goals and dreams with.  They continue to encourage us to keep going when it gets difficult.